HomePage RecentChanges

allegory and applicability

"… I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presences. I much prefer history, true or feigned. … I think many confuse 'applicability' with 'allegory'; but the one resides to the freedom of the reader, and the other in the proposed domination of the author."
– J. R. R. Tolkien

I thought this quote was interesting & relevant to a discussion of "freedom".

It makes me think of the translation to film – say of the Chronicles of Narnia (originally by Tolkien's contemporary C. S. Lewis, dontchaknow). The power of imagination is strong; do filmic versions of stories interfere with imagination, or enhance it? I'm a somewhat obsessive person, and I often particularly like stories that have many cross-over versions of themselves.

On the other hand, I'm not exactly sure what effects cross-over stories have on my imagination or my appreciation of the "base story". This is of course relevant to a discussion of the scholium system and other "value-added" texts. Sometimes it seems like a "with friends like that, who needs enemies" sort of thing – after seeing someone else's interpretation of a story, their version tends to infect your future interpretations. This also relates to the Moore method – which essentially says, let's educate from 1st principles, rather than from "value-added" texts.

Philosophically speaking, both approaches seem somewhat disturbing! Perhaps it has mainly to do with how the added value is used – i.e., there may be some techniques that avoid dogma. But maybe dogma isn't so bad, as long as it is understood to be dogma. The "proposed domination" of the author may or may not hold up to scrutiny. (I don't know if the "proposed freedom" of the reader does either!)

Tolkien isn't talking here about all forms of "added value" or "interpretation". He's talking about ones that force a certain interpretation upon the reader. I like the idea of contrasting that with history, which tends to be entirely open (in a free society) to interpretation. Construction of history as "allegory" (manifest destiny, Bolshevik revolution, etc.) seems quite powerful. Indeed, sometimes history does seem to "tell a story". But my guess is that such stories are typically big lies. History is a collection of facts (or, more generally, fact-like statements). Stories, by contrast, are (perhaps) collections of assertions. It seems like a thin separation (and confusing) between the two, but it may be very important! I do rather like the idea of "letting facts speak for themselves". (This is one reason why things like "Marxist economics" tend to be somewhat repellent; theories are fine and good, but without due exercise of control, a theory can easily become dogma.)

And yet… I think of Borges (whose work I would like to study…) and wonder. Are allegories so "bad"? Are they not, sometimes, the purest expression of an idea? Is Tolkien really one to talk? Etc. I find myself going around in circles. Maybe this is the best one can hope for with philosophical questions of this sort…?

--jcorneli Sat May 28 21:30:20 2005 UTC

Here's a random (related) quote from Borges (found on wikipedia):

"…as I think of the many myths, there is one that is very harmful, and that is the myth of countries. I mean, why should I think of myself as being an Argentine, and not a Chilean, and not an Uruguayan. I don't know really. All of those myths that we impose on ourselves - and they make for hatred, for war, for enmity - are very harmful. Well, I suppose in the long run, governments and countries will die out and we'll be just, well, cosmopolitans."
– Borges, 1980

Discussions